The Vinyl District - Tower Records

TVD Live: Bill Kirchen at Jammin’ Java, 5/16

Vienna, Austria, may have been the center of the international music world on a recent Saturday because of the big Eurovision Song Contest finale. But in Vienna, Virginia, that same night in a strip mall, the irrepressible septuagenarian guitar-slinger Bill Kirchen was tearing up the place on the eve of issuing his latest album.

Ably backed by longtime players Jack Saunders on bass and Rick Richards on drums, the fiery show even featured local guitar hero Dave Chappell on a handful of songs, adding a jazzier tone to Kirchen’s relentless rockabilly twang.

Kirchen’s shows are always something of a homecoming in the DC area. Though he was born in Connecticut 77 years ago and formed Commander Cody and His Lost Planet Airmen in Michigan nearly 60 years ago, he moved to the mid-Atlantic in the ‘80s and stayed for a couple of decades. Eventually, he and his band Too Much Fun were a regular Tuesday night attraction at a beloved joint in Annandale called the Sunset Grill.

A number of the old “Grillbillies” were in attendance at his packed show at Jammin’ Java in Vienna, and though their reunions made for some occasionally annoying background noises, that rumble also turned the club into the kind of freewheeling honky tonk where the best of Kirchen’s tunes were born.

As dexterous as he is on guitar, where his fingers are unfailing on the Telecaster, Kirchen is a laconic frontman, with a number of stories and witty asides between the songs. A longtime devotee to classic and obscure country songs with a diesel-fueled penchant for truck driving songs, he honors and preserves a whole genre to life, even as he adds life to it with some new songs.

 

He played just over half the new tracks on Cat Out of the Bag, released Friday, though he cautioned fans that it wouldn’t be one of those shows where it’s all new stuff. In this case, though, what’s new is hardly unfamiliar. Working a rich vein of rocking Americana, he enlivens it further with his style and enriches it with his catchy lyrics.

New nuggets like “City Kicks” and “Honky-Tonk Hellfire” drive on just as you’d expect, with inventive solos that defy expectations, turning left when you’d think he’d turn right and then intensifying it further.

He was generous with his classics, though, from the signature “Too Much Fun” to start, to Commander Cody classics like “Semi-Truck,” “Seeds and Stems (Again),” and their cover of “Looking at the World Through a Windshield.” Kirchen was in some ways making up for a December show he had to cancel due to a collapsed lung. His apology of sorts was his cover of Red Simpson’s “Truckin’ Trees for Christmas.”

With all these truck-driving tunes, Kirchen may be as country as his flowered shirt, but part of him was inspired by hitchhiking out to Newport as a teen to see Bob Dylan turn electric. So, reprising a couple of shows last year where he only played Dylan, he had Chappell join him for “It’s All Over Now, Baby Blue” and “It Takes a Lot to Laugh, It Takes a Train to Cry” mid-set, and “Like a Rolling Stone” to close the show.

That came after his expected showcase, built on the blitz of guitar runs that drove Commander Cody’s cover of Charlie Ryan’s “Hot Rod Lincoln” right to the Top 10 in 1971. That car-racing classic is now as packed as one of his semi-truck trailers, loaded with more familiar rock licks than you can try to list.

It’s a wow every time he performs it, even as it seems to change each time. Here he had it all organized by country, with signifying riffs from Johnny Cash to Marty Robbins and Buck Owens, rockers from the Ventures and Bo Diddley to Iggy Pop, and bluesmen from Elmore James and Muddy Waters back over to Link Wray. Then, an array of Brits, from Clapton to The Beatles to the Sex Pistols. His collection of Kings included B.B., Freddie, Ben E., Billie Jean (with a Telecaster making tennis-ball sounds), and Don (more of a visual hair joke).

It’s all in the name of entertainment, and Kirchen in a club never fails.

  

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Thank you to All About Jazz for the honor of being included in this lineup of 'Your Favorite Living Jazz Guitarists'!
 
Member votes were tabulated and this list represents our favorite living jazz guitarists. Fully transparent and easily verifiable, All About Jazz's living guitarists poll was conducted during the 2022 calendar year running from May 3rd to November 30th. We would like to thank every member who participated in creating this impressive list (200 total!) for the next generation of jazz enthusiasts.

Note: This list represents the top vote-getters. Hundreds of guitarists received votes, but we decided to limit the results to the top 200.
 
THE SPELLCASTERS  

It all started at the legendary Northern Virginia roadhouse JV's. D.C. born guitarists Anthony Pirog and Joel Harrison, musical soul mates, and now doing their first gig together, tore into a set of jazz-amped honkytonk songs before a stunned crowd. But two Telecasters wasn't enough. The bassist for the show, John Previti, who backed up guitar legend Danny Gatton for twenty years, had invited acclaimed local guitar slinger, Dave Chappell, to sit in. Soon three Telecasters were blazing away, exploring shared history and new frontiers. The Spellcasters were born.

 

 


MUSIC FROM THE ANACOSTIA DELTA



RUNE 445

It all started at the legendary Northern Virginia roadhouse JV's. D.C. born guitarists Anthony Pirog and Joel Harrison, musical soul mates, and now doing their first gig together, tore into a set of jazz-amped honkytonk songs before a stunned crowd. But two Telecasters wasn't enough. The bassist for the show, John Previti, who backed up guitar legend Danny Gatton for twenty years, had invited acclaimed local guitar slinger, Dave Chappell, to sit in. Soon three Telecasters were blazing away, exploring shared history and new frontiers. The Spellcasters were born.

The Spellcasters specialize in music made by and for that unique and marvelous American invention, the Fender Telecaster. Two "Telly" masters who have particularly inspired the band are D.C. legends Danny Gatton and Roy Buchanan. The repertoire includes Harrison's transcriptions of two of Danny's lesser known compositions, as well as covers from Danny's repertoire, “Harlem Nocturne” and “Rock Candy.” The band also does "Sweet Dreams," a song that Roy Buchanan often played. As much as they celebrate these mentors, though, The Spellcasters have sought their own identity, which is a crossroads of styles that straddles the Mason-Dixon Line, where jazz, rockabilly, R&B, country, and rock ’n’ roll are one. This is not so much a band of soloists as it is a guitar orchestra. It could be argued that The Anacostia Delta, comprising D.C., Southern Maryland, and Northern Virginia, has its own regional sound. If so, this group is devoted to exploring every corner.

There are tunes where each guitarist speaks his piece, and those where there is no soloing at all; rather, a contrapuntal weave where a listener might not know where one axe stops and the other begins. Anthony Pirog is the youngest member of the tribe, an avowed experimentalist, and yet an old soul with deep knowledge of tradition. He's part of the renowned duo Janel and Anthony as well as The Messthetics, which he co-leads with members of the punk group Fugazi. Anthony has a solo release, Palo Colorado Dream, on the Cuneiform label and he is a participant on the album Five Times Surprise, released by Cuneiform on the same day as The Spellcasters debut. Dave Chappell has played with countless D.C. musicians, and leads his own "take-no-prisoners" group that rocks, wails, and twangs all over town. He took lessons with Gatton in the early 80's and performed some with him. Joel Harrison is a fearless adventurer based in Brooklyn, NY with 20 albums of original music and genre-bashing covers under his name (including two previous releases on Cuneiform, Holy Abyss and Mother Stump). For him the Spellcasters is a road back to his roots. Harrison grew up in D.C. following Gatton around like a stray dog.

Anchoring all this is a rhythm section that defines an era. Bassist John Previti and drummer Barry Hart have intersected with a broad swath of D.C's finest since the 1970's. They've backed up Gatton, Evan JohnsRick Whitehead, and members of The Nighthawks, toured together in Danny's group Fun House in the late 1980's. Their chops have been honed by thousands of gigs from the White House to The Crab Shack, from the Birchmere and Blues Alley to Bertha's Mussels.

The Spellcasters is very much a live band, and they built their chemistry over two years of gigs in the D.C. area. In that spirit six out of the eleven songs on the album were recorded in concert in Takoma, D.C.. at Rhizome. It's got a fun, loose vibe, but is also full of well-considered arrangements such as Harrison's close-voiced slant on Monk's Bright Mississippi, the lovely give and take on Bill Frisell's That Was Then, or the swinging chimes of Chappell's Jax Boogie. A 12 bar blues might fly off into the wild. Each guitarist contributes original compositions that are remarkably different, yet connected to the whole.

The Spellcasters' Music from the Anacostia Delta is a love letter to The Telecaster, and its greatest exponents, legacies Jimmy Bryant, Roy Nichols,  Jerry Donahue, Buchanan and Gatton, Jeff Beck, Frisell, and beyond.  The Spellcasters make those slabs of maple bark, burn, laugh and cry.

Music from the Anacostia Delta press release

 

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For press and media: cover art and high resolution images are available below for download (click thumbnail, right-click image and select "Save As.."). Please credit the photographer (when available) and "Courtesy of Cuneiform Records". For more information, click here.

 

Music from the Anacostia Delta
    

PRESS RELEASES
Music from the Anacostia Delta press release

 



Thanks to Vintage Guitar Magazine for this article in the March 2020 issue!

 
 
 
Thanks to the folks at Vintage Guitar magazine for the very nice review of my playing on the Arty Hill CD,  "Back on the Rail," published in the September '09 issue.    Here it is. . .

 
 
 
And from Country Standard Time News Magazine June 2009 issue:


www.countrystandardtime.com/d/cdreview.asp


"Elvis Through the Eyes and Ears of Dave Chappell" The Old Town Crier February 2011:
www.oldtowncrier.com/gigs-and-digs